Issue: October/November 2020

An autumn note

“For many, the end of this uneasy year cannot come quickly enough”

An ordinary killing

Ian Cobain’s book uses the killing of Millar McAllister to paint a meticulous portrait of the Troubles

Greater—not wiser

John Mullan elucidates the genius of Charles Dickens

Elizabethans transformed

There is little about our current dilemmas that our parents and grandparents have not already confronted and survived

Revisiting Nazi myths

Products of paranoid imaginations, less closely linked than might appear

The invention of Stoppard

“It appears to have been a sense that it was all becoming too easy that prompted Tom Stoppard to resolve, on his 23rd birthday, to give up journalism and write a play”

Sex matters

“It’s been quite the month for the Gender Critical community”

Remote working will exacerbate inequality

‘Cultural capital provides a gloss and a shield of confidence to those gifted with it. As home working becomes a permanent feature of the workplace, the opportunities for working class and ethnically diverse entrants to gain it will be fewer’

There have always been “woke” students—the problem is their elders

‘The people running these institutions—they’re the people who are actually cancelling the songs, renaming the buildings and withdrawing the paintings’

An autumn note

“For many, the end of this uneasy year cannot come quickly enough”

An ordinary killing

Ian Cobain’s book uses the killing of Millar McAllister to paint a meticulous portrait of the Troubles

Greater—not wiser

John Mullan elucidates the genius of Charles Dickens
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