Blaming the Parents
The Believers by Zoë Heller
If ever a generation was asking for rejection by its children, it was the baby-boomers. After all, they (we) arrived at what then passed for adulthood turning our backs on everything our parents had taught us and noisily endorsing our high priest Bob Dylan’s dismissive verdict, “Your sons and daughters are beyond your command, your old road is rapidly agein’.”
In her new novel Zoë Heller takes cold-eyed aim at the parents the 1960s crew became, and blasts them to pieces. They are represented here by Joel Litvinoff, a celebrated radical New York lawyer for whom no cause is too extreme to defend, and his wife Audrey, British-born of Polish-Jewish parents and if anything even more dedicated to all things progressive.
The book opens with Joel leaving the stage, collapsing in court from a stroke as he sets out to defend an American Arab accused of terrorism, and the action plays out as he lies in hospital in a coma from which he will not emerge. As he slowly deteriorates, his family disintegrates and the skeletons come tumbling out of Joel’s cupboard.
Audrey, one of the least sympathetic characters to be encountered in modern fiction, takes out her rage on her daughters Karla and Rosa, whom she appears to have detested since birth, while she lavishes unconditional love on her druggy, feckless adopted son Lenny (father blew himself up making a bomb, mother serving life for killing a policeman). Karla, fat and unhappy, is trying to conceive a child with her husband, a stolid union organiser.
Rosa’s disillusionment with her parents’ values stems from four years in Cuba, which have cured her of revolutionary socialism for life. But what to replace it with? To her militantly secular parents’ horror, she chooses Orthodox Judaism, into which she strays by chance when she passes a dowdy synagogue and on impulse goes inside.
The journey towards Orthodoxy by young people runs counter to the path charted by earlier generations of Jewish writers, from Isaac Bashevis Singer and Chaim Potok to Philip Roth, many of whose characters wrestled with the challenge of leaving their parents’ stifling world to embrace modern society. The return trip being taken by their children is one that an increasing number of baffled Jewish parents of varying degrees of observance or none are experiencing today and it forms the intellectual heart of this novel.
While Heller tends towards caricature in her portrayal of New York progressives, admittedly with style and wit, her view of the Orthodox world is much more nuanced and sympathetic. Observant Jews get all the best lines, and for once they are not wisecracks. “Well, here we are,” a rabbi muses to Rosa when she travels to the ultra-Orthodox community of Moncey to experience the Orthodox Shabbat, “talking about Hashem, a power and an intelligence that passes all human understanding. Don’t you think He deserves at least the same courtesy that you extended to Mr Marx?”
For all her mockery of the wreckage of progressive values, Heller isn’t above a bit of political correctness herself: while Rosa embraces Judaism, Karla embraces an Egyptian co-worker in what looks like a rather clumsy attempt at “balance”. But she does skilfully depict Rosa’s journey as decidedly erratic, two steps forward, one step back (or vice versa as far as Audrey is concerned). A trip to a mikvah (ritual bath) is in danger of putting her off the whole thing but a one-night stand with an old college acquaintance is no consolation either. For her, the destination remains a land of vague promise, over the horizon, not the certainty she craves