A Tate retrospective of Frank Auerbach’s work reveals a man doggedly committed to his art 

Rembrandt Bugatti showed the very soul of his animal subjects

Leonardo is seen as the presiding genius of his age, but his drawings reveal a reassuringly human artist

Having stolen a Klimt masterpiece, the Nazis could only show it if they hid the Jewish identity of its subject

The UK should solve the Greek crisis by offering to buy the rest of the Parthenon

‘Trigger warnings are not merely tools for censoring febrile material for the few, but a complaint about the dominance of Western thought’

Commercial art forms may yet save the Western tradition from its propensity to self-destruction

Joseph Cornell’s shadow boxes are poetic windows on the mind of a man with a restricted life