Michael Prodger
Women joining the boys’ club
Female artists are at last getting their fair share of exhibitions, but the market is failing to catch up
A question of attribution
The forthcoming sale of a purported Caravaggio is set to exceed £100m, but its provenance is far from clear
YiMiao Shih: Rabbrexit Means Rabbrexit
A furry farewell
A brush with painting’s history
The restoration of great works of art is increasingly being carried out in public before an admiring audience
Not too many happy returns
Calls for restitution of artworks taken during the colonial era are intensifying around the world
Boom time for Picasso Inc.
One name dominates the art market, with his paintings soaring in value and remaining a solid investment
John Ruskin: The power of seeing
The most eminent victorian of them all
Masterpiece — or male and stale?
Once venerated as the founders of Western art, the Old Masters are losing their allure
No art too good for the workers
Fernand Léger drew from popular entertainment and working life to make Cubism less inaccessible
The master of human vanity
The new Pieter Bruegel exhibition in Vienna really is a once-in-a-lifetime artistic experience
The Brexit crunch approaches
Thorny issues remain unresolved as the transition period comes to a close. Yet the hurdles to a deal are not insurmountable
Meritocracy makes a new ruling class
Innovation has often come from hard work by unlettered people. But young progressives now seem to treat education as a proxy for virtue
Some black lives matter more than others
Black Lives Matter misses the point—we should highlight the progress we have made, not split society and trap ourselves in victimhood