James MacMillan
Dancing to the SNP’s tunes
Scottish music and culture is playing second fiddle to an increasingly nationalist and socialist agenda
The therapy of forty voices
My attempt to emulate Tallis was initially terrifying, but now that the work is finished I am quite bereft
Music makes us socially mobile
Scottish nationalists seem out to destroy a precious musical heritage built up over many generations
In composer’s Sistine heaven
To hear my Stabat Mater sung in Michelangelo’s chapel was the high point of my musical life
A constant search for the sacred
Religion plays an integral role in modern music even when it is composed by non-believers
The ring of authority
Ernest Newman’s towering biography of Wagner helped to shape my own view of the composer
The quality of divine mercy
Look to Beethoven to answer Adorno’s famous post-Holocaust critique of Western culture
In search of perfect pitch
Many composers, including me, love football so much that we are inspired by the beautiful game
Sweet singing in the choir
Dumbing down church music and liturgy has emptied the pews. Our tradition deserves better
Psalms in Praise of Scotland’s Past
Thomas Wode’s part-books show the centrality of music in Scottish life just before the Reformation
The Brexit crunch approaches
Thorny issues remain unresolved as the transition period comes to a close. Yet the hurdles to a deal are not insurmountable
Meritocracy makes a new ruling class
Innovation has often come from hard work by unlettered people. But young progressives now seem to treat education as a proxy for virtue
Some black lives matter more than others
Black Lives Matter misses the point—we should highlight the progress we have made, not split society and trap ourselves in victimhood