Anne McElvoy

Anne McElvoy

On the centenary of his birth, two Rattigan revivals showcase his best — and worst — work

Mike Leigh’s Ecstasy casts a chink of light on social misery. Neil LaBute’s new play lets in even less

The climate has changed for eco-dramas. Greenland at the National doesn’t work; The Heretic at the Royal Court does

By making Elsinore a modern surveillance state, Hytner’s production has added menace