...he really was doing his best. Enter Oleg Marshev, an elegant 50-ish Russian pianist (born in Baku, lives in Italy) who's recorded extensively and attracted enviably classy responses, yet has enjoyed as yet scant currency in London's concert halls. After many a long year, he finally made his debut with a London orchestra, the LPO, last night.
But the concert was also the LPO debut of that man-of-the-moment, Royal Liverpool Phil miracle-worker Vasily Petrenko. Marshev's account of Prokofiev's Third Piano Concerto — which can be a rather thankless piece if you are a musical, thoughtful pianist not actually attempting to win a competition — was roundly submerged by a performance of Shostakovich's Symphony No.11 that by the end apparently had the audience on its feet and the performers in a state of near collapse. (I didn't stay for it, having o'd'ed on Dmitrian gloom and doom earlier this year — there's only so much one can take.)
Marshev played the Prokofiev like chamber music: aware, sensitive, sparkling in sound yet remaining within the best of taste. Refinement is a rarity in Prokofiev performance these days — have we come to expect the lack of subtlety and ear-splitting percussiveness than so many virtuosi like to propound? Marshev's was a fresh take, an unexpected yet deeply rewarding approach. And his encore, Liszt's 10th Transcendental Study, was full of sweep, elegance and idiomatic rhetoric; it gave him a chance to show what he could really do without being eaten alive.
I only hope others remembered it too after the onslaught in the second half. Marshev's one shortcoming, I reckon, is that he has rather a self-effacing stage presence. Beside blond bombshell Petrenko, who simply radiates energy, he ended up in the shadows. But I hope that now he's had the chance to make his existence known to us here, this "pianists' pianist" will soon have other chances to shine.
Here he is in part of a weird rarity that only a "pianists' pianist" would be likely to tackle...
Jessica Duchen is a music journalist and the author of four novels, two biographies and several stage works. She writes regularly for The Independent and BBC Music Magazine. Her latest novel, Songs of Triumphant Love, is published by Hodder.
- Standpoint Presenting Two Debates At HowTheLightGetsIn 2016
- The Compleat Corbyn — a round-up of Standpoint's Corbyn coverage this month
- We Told You So
- Sir Raymond Carr in Standpoint
- Conduct Unbecoming: The Classical Commentaries of Norman Lebrecht in Standpoint
- Chronicling The Crash: A Standpoint Ebook
- Grounds for Hope
- Is Islam a Peaceful Religion? Daniel Johnson at the Oxford Union
- Win Tickets to the Inaugural Standpoint Salon
- Is Hunter's History Bunk?
- Lawson Collects on Climate Change Bet
- The Cabinet meeting that kept Salman Rushdie alive
- Friends of Russia or Friends of Putin?
- Russia's Win-Win Election
- The Kremlin Plays Old Tricks With Pussy Riot
- A Pyrrhic Victory for Georgian Democracy
- Abandoned in Moscow
- Standpoint's New Facebook Page
- No need to pander to the Bear, Mr Obama
- Standpoint Recommends: The Tacitus Lecture 2012
- Goodbye, Vienna
- Friends Indeed — Daniel Johnson on Gertrude Himmelfarb
- New Culture Forum Lecture: Jeremy Hunt
- Kangaroo Courts Arrive Down Under
- The BBC's painful novelties
- Money can't buy you love - Nichi Hodgson